#i mean it could be worse but

[veryintricaterituals]

Me: Nadermo is going canon in the finale

Nandermo in the finale:

[hinamie]

truth is, I used to dream about boys like you

jjk atla!au with @philosophiums

[lucabyte]

Perceptive kid, I wonder just how much they pretend not to overhear.

[poorly-drawn-mdzs]

oh hey! i was reading a fic the other day where Wangji was once misspelled as Wangu. which leads me to: MDZS Pingu-style??? noot noot!

Do you think love can bloom on the sea ice?

[skunkes]

[bogkeep]

thoughts, repeating.

[ohitslen]

Intrusive thoughts

[epickiya722]

I have thoughts!

I doubt Izuku went eight years being Quirkless.

For one thing, after the Final War, he still had two years of high school left. I doubt all that time he used One For All continously when he have to focus on schoolwork and had more time to actually wind down since the major villains of the story have been dealt with. So there would be times he wouldn't have to use OFA like that.

Last chapter, we can see he still has OFA.

I would say it would be more recently that he lost OFA.

Note that here, Izuku says "recent times". This is just happening now that his class has reached their goals of what they wanted to accomplished. From Ochako and the others creating a program to help people to Mezo getting an award.

When this came...

I figure this can interpreted as Aizawa asking about his Quirk and being a Hero on the field or just his time in school when everything was happening.

Why some of the fandom took this as abandonment is beyond me. "We started working..."

Folks, Class A would be 24 - 25 years old... they would have just started to be Pro Heroes probably three years or later if you consider their "college years" would be the time they would be sidekicks and working to having their own agencies. Probably some of then even living together to save money and whatnot.

A teacher is fitting for Izuku as he is still encouraging others and it reflects even how All Might, his mentor, was one. He knows he'll be Quirkless again, a job as a teacher is ideal for him.

You need a bachelor's degree to be a teacher, which takes four years. So from probably age 18 to 22, Izuku worked for that degree to be a teacher. Meaning that time, he necessarily didn't have to use OFA, if he still had it. And he could have also been doing the sidekick thing on the side.

Present Mic is an example of a character who has multiple occupations, so I don't doubt that Izuku couldn't have done sidekick work and studies at the same time.

Therefore, he would have been a teacher for 3 years at the moment at this point.

Now, given that a school like UA exists, where they taught Heroics, business, engineering, etc. There could have been colleges like that. So class A could have went to the same college and still hung out, including Izuku.

Point is what I'm saying is, because of what Izuku's schedule may have looked like, I doubt he lost the embers of OFA that fast. Yes, he most definitely lost them, but like overnight? Yeah, no.

And him being abandoned? Some of you took a hold of the steering wheel and whipped it way too hard to the left. They definitely still talked. They just got busy with their jobs and hectic schedules.

"How dare they not tell Izuku about the project?!"

... IT WAS A PLEASANT SURPRISE, HELLO?! Have none of you gotten something nice as a surprise before???

[serpentface]

WARDI WRITTEN LANGUAGE (BASICS).

Couya's full name (properly 'Haidamane Couya') written formally and with common handwriting conventions.

The Wardi written language derives from earlier proto-language systems consisting exclusively of logograms without direct phonetic meaning or grammatical structure. These symbols gradually became simplified and abstracted to the point of many having little intrinsic clarity, and combined to communicate abstract concepts.

The development of a full written language did not occur independently (as very few written languages do), and its phonetic elements (namely its use of syllabograms) were largely derived the 'ancient' Burri writing system, gradually synthesized with native writing conventions, and in the contemporary forms a wholly distinct system. The language's Relatively universalized form is a very recent phenomena, developing within the past two centuries with the region's conquering/unification into a single entity.

The contemporary written language is a mixture of logograms and syllabograms. It is read from right to left and arranged in horizontal columns. The most formal variant of this system contains each character within a square outline, usually separated by a small space. This outline confers little phonetic or symbolic information beyond making distinction between syllables exceptionally clear, and can be (and often is) omitted in handwriting. The separation of words is conveyed through a narrow rectangle or line in formal contexts, and again often omitted in handwriting (instead indicated instead by a wider blank space).

The pure logograms that have been retained in this writing system tend to be those of very common words or specific concepts (most logogram characters for types of livestock, key crops, water, major body parts, etc are widely recognized and in common use). There has not yet been any attempts to fully 'formalize' the language and omit potentially unnecessary logograms, and they remain frequently used as shorthand while conveying the same semantic information.

Many of the syllabogram characters are directly derived from logograms that depicted monosyllabic words. For example, the spoken word 'gan' means 'cow', and the character for the syllable 'gan' is identical to the common logogram for 'cow'.

The name Gantoche (literally "cow-eye") could be written either fully with syllabograms as:

or through logograms as:

Both ultimately communicate the same meaning, but the former clarifies pronunciation (the words gan and atoche are contracted, it's gantoche and not gan-atoche).

It is a relatively easy written language to learn, as the pure syllabogram characters indicate their own pronunciation with little ambiguity and often have consistency to their construction (ie the character for the syllable 'man' contains most of the same elements as that for the syllable 'wan'- the dot placement in particular has indication of the vowel sounds).

The inclusion of logograms in general and many of the syllabic characters being directly imported From logograms complicates matters. These characters lack visual consistency, and can be confusing to the large swath of the public who know common logograms but not the full written language itself. Ie: the word 'ungande' meaning 'liver' will be composed of logogram-derived syllable characters for 'un' (which alone means 'hand') and 'gan' (which alone means 'cow'). Someone who is only semi-literate in common logograms may be confused at the meaning, especially since these same exact same characters may be used elsewhere on their own to indicate 'hand' or 'cow'.

One major exception to this tendency is that current religious doctrine requires established logogram characters describing God to be used in place of syllabic characters. The word for god is 'Od', and has its own unique character (as do each of the Faces, the capital F 'Face', and Its deified pronoun). The syllable 'od' [oʊd] is very common in the Wardi language, and a wholly separate character is used for the phonetic sound when it is not a reference to the deity (ie 'lion' (odo [oʊdoʊ]) does not contain the same character for God in spite of its first syllable having the exact same pronunciation). Names are a bit of a gray area (ie: the name 'Odabi' is very common and carries the meaning of 'gift/blessing from God'). Religious leadership is currently experiencing a mild schism on whether the written character for God is separated due to being wholly sacrosanct (and thus inappropriate to include in the written form of a personal name) or as more of a functional delineation of the sacred and mundane.

[schadenfreudich]

Dislike it when I see a post making a good point about romantic relationships not being necessary from an aro perspective and then the rest of the post is about friendships.

Especially in a way where it just feels like they replaced romantic relationships with platonic ones.

[dysfunctionalcreature]

obviously all the characters in Interview With The Vampire have such tragic pasts, and they each have so many good lines of dialogue that beautifully capture that trauma, but the one I just keep coming back to is Armand saying, voice shaking, "No one has painted me in over 400 years". It's the sadness and resentment in his voice, the implications of it, partly he just misses Marius I'm sure, but I really think that it's more than that, Armand is so deeply insecure, I can't help but think that maybe he doesn't consider himself worthy to be painted, he says "No one has painted me in over 400 years" and I can't help but hear "It has been 400 years since I was worth painting"

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[creepesthesia]

witness sketches. on paper. i was bored.

[rysnscommand]

Steamy shower scene in MY stormlight archives???

[poorly-drawn-mdzs]

I want you whipped into shape!

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[ashleyslorens]

AARON TVEIT as Mike Warren GRACELAND S3